WHAT I CARRY Nominated for YALSA 2021 BEST FICTION FOR YOUNG ADULTS

How amazing to be nominated for a BFYA 2021 award! Thank you so much, YALSA! A division of the American Library Association, YALSA is a national organization made up of librarians and advocates dedicated to strengthening services for teens. They do do incredibly important work for this powerful, passionate population of readers, and I am a dedicated fan and supporter of both ALA and YALSA. Libraries and Librarians are two of the most crucial elements of our society. So I am especially honored and grateful for this nomination, and for WHAT I CARRY to be considered among a list of truly gorgeous books I have read and love. Thank you, YALSA, and notably Amanda Kordeliski, for all you do, and for this very appreciated honor. Learn more about YALSA and some more nominees , and here is Amanda Kordeliskis’ lovely synopsis of WHAT I CARRY:

“Muir has one year left of foster care. One more placement, and then she is completely on her own. Having spent her entire life moving from one foster home to the next, she has learned a lot of things about how to survive. The biggest takeaways: don’t get attached to anyone or anything and fit everything you own in a single suitcase. As Muir settles into her final placement, she struggles to remain detached from the new people in her life. Desperately wanting meaningful connections with people but worried she won’t survive when she has to walk away when she turns 18. 

An emotionally intense read, Longo begins each chapter with the history behind an item Muir carries with her in her suitcase. Muir’s relationships with her foster parent Francine, her new friend Kira and her developing feelings for Sean are rich and realistic. Muir makes mistakes and her insecurities and worries are present even when she has wonderful experiences. What I Carry weaves the challenges facing foster kids into the novel seamlessly and readers don’t realize they are learning more about the system as they bond with Muir.

Teens who love stories that focus on forming relationships and learning to trust others will enjoy this book. Give this to fans of Robin Benway’s Far From the Tree, Kate McLaughlin’s What Unbreakable Looks Like, and for a slightly younger audience, One for the Murphys by Lynda Mullaly Hunt.”  - Amanda Kordeliski

Podcasting in the COVID times! DAMNED SCRIBBLING WOMEN * THE VOICE OF THE LAST FRONTIER

Covid is a deep dark disaster, and one way I’ve begun to try and give structure to my writing work week with the new daily chaos of life, is making my family podcast with me. I love podcasts more than most other things in life, my favorites are mostly murder and crime related. But for my own, I focused on two things I’m especially passionate about: Working to eliminate the misogyny, rape culture and racism that currently guides most American public school English/Lit Curriculums AND the 1990’s television Drama/Comedy NORTHERN EXPOSURE!

So join me and my teenaged daughter for DAMNED SCRIBBLING WOMEN where we take apart her completely horrifying 9th grade Honors English curriculum (which consisted of a list of mediocre books all written long ago by dead white men. (The same poorly-written, rape-y, racist books I had to read in 9th grade thirty years ago I mean WTAF) Each episode we examine one of the white male authors and their worn-out books and then offer and discuss more appealing and worthy, theme-adjacent alternatives - novels written by more talented authors, all (mostly BIPOC) women; books that are intense and beautiful and award-winning and simply better than any of the books and authors from my daughter’s (and mine! Seriously WTF!?) 9th grade white male syllabus.

Then on THE VOICE OF THE LAST FRONTIER join me and my husband for a re-cap podcast of the show we bonded over when we started dating in the early 1990’s, NORTHERN EXPOSURE. We discuss the show’s merits and missteps, and if, in retrospect, it was a good idea that we allowed our love of a CBS TV show to influence many of our major life decisions.

Guys, times are not great. They’ve been not great for a long, long time. Let’s do everything we can every moment that we have the strength to do so. Podcasts and books always help me. I hope mine might be some solace to you. I love you guys.

DSW Logo FINAL.JPG
VLF logo FINAL.jpg

Decolonizing School English Curriculums

What an honor to join these amazing women to contribute to this excellent article by Romper’s Jennifer Parris. I have been working for years with my daughter to get her high school English Class curriculums to be less white, less of a sausage-fest, and it has been an uphill battle to say the least. Many, many White Men in all facets of life, but particularly in academia, are not fans of celebrating any other perspectives or art other than those made by fellow White Men. This bullshit nonsense guides far too many public school syllabuses and it is dangerous, it is mediocre, and it needs to end. Women BIPOC authors should make up the bulk of any English Lit curriculum in American education, and that’s the hill I will die on. Keep fighting, keep reading, keep reading, let’s never give up.

https://www.romper.com/p/how-to-advocate-for-diversity-in-your-kids-curriculum-at-school-22962505

WHAT I CARRY is an Audio Book!

Enjoy the dulcet tones of the magnificent Reba Buhr: actor, backpacker, and PNW Native! Isn’t she perfect, there’s her photo below! She IS Muiriel, and I can’t wait for everyone to hear her tell Muir’s story, bringing her own magic life to the words. I’m so grateful to everyone at Random House Books, especially my editors Jenna Lettice and Caroline Abbey and Chelsea Eberly, and my agent at Folio Literary Melissa White, and YOU; Readers, bloggers, fellow writers. There is nothing better than a book to make us all feel closer, especially in times like this stupid pandemic (Covid you can go straight to Hell!) and audio books are a beautiful balm all their own. Find the WHAT I CARRY audiobook anywhere books are sold, but especially at LibroFM, the best way to buy and audiobook from your very own Indie Bookshops! I love you guys, let’s all hold on tight to one another till Autumn (I mean the people we are sheltering with come on!) and we will make it. XO

https://libro.fm/audiobooks/9781705246580-what-i-carry

reba.jpg
LongoWhatICarryCover.jpg

* STARRED Review from BOOKPAGE *

WHAT I CARRY has recieved a beautiful review from BOOKPAGE MAGAZINE, our third starred review! I am so grateful to BOOKPAGE, Penguin Random House Books, and Folio Literary for letting me tell Muiriel’s story. Here’s the full review:

“Jennifer Longo’s What I Carry is narrated by Muiriel, Muir for short, a resilient young woman born an orphan at the John Muir Medical Center (for which she was named) in California. Almost 18 and wise beyond her years, she’s about to age out of the foster-care system.

Compared to other foster kids, Muir feels she has certain advantages. She’s white, she doesn’t agonize over memories of lost family members, and she’s had the same social worker for nearly her entire life. It was kindhearted Joellen who once gave her a book called The Wilderness World of John Muir, a collection of writings by the great naturalist. The volume inspired Muir to hone her survival skills amid the unpredictable world of foster care. Carrying with her only the bare essentials, she lives out of her suitcase and doesn’t own a phone. Eleven months is the longest she’s ever stayed with a foster family, and where exit strategies are concerned, she’s a pro.

After Muir moves into a foster home on an island not far from Seattle, her outlook changes. She connects with her foster mother, Francine, and befriends Kira, a talented young Japanese American artist. When she meets a fellow nature lover named Sean at her forestry internship, she finds herself falling hard—both for him and for her new life. But staying still has never come easy to Muir, and as the novel progresses, she wrestles with her instinct to run.

Longo has a gift for arresting details: “Slamming doors are birdsong in a foster house—always there,” Muir observes, “a kind of background music.” Longo writes with warmth, humor and a flair for good old-fashioned storytelling, spinning subplots involving Kira and other supporting characters to create a beautifully realized tale of a teen’s search for her place in the world.

*This is the third starred review for this title.”

Happy Book Birthday WHAT I CARRY!

I am so proud of this beautiful book my editors and agent and I made with so much love. We hope readers and librarians and teachers and booksellers love it as much as we do. It is a love letter to every brave person living, or who has aged out of, foster care. We hear you. We love you. We are listening.

PUBLISHERS WEEKLY Starred Review for WHAT I CARRY

Thank you so much to PUBLISHERS WEEKLY for this beautiful review of WHAT I CARRY. I love PW’s dedication to readers and literacy and books in general - my team at Random House and my Folio Lit agent, Melissa White and I, worked hard to make this story as true and compelling as possible. I am honored and overwhelemd with gratitude.

What I Carry (Starred)

Jennifer Longo. Random House, $17.99 (336p) ISBN 978-0-553-53771-0

“Having grown up in foster care, Muiriel—“Muir”—is good at packing. Per writing by her namesake, John Muir, she carries the bare minimum, and following 20 placements, has folding down to a science. After one more year, she’ll be 18 and out of the system. In an effort to have some control over her life’s uncertainties, Muir has also mastered keeping people at arm’s length by being helpful, staying out of trouble, and keeping her grades up. She’s not so good at making friends, trusting people, and talking about her feelings. But her new placement, a ferry ride away from Seattle on Bainbridge Island, stands to play havoc with all of that. Her new foster mother is smart and kind, and Muir makes a real friend, gets a job that she loves, and meets a boy who really likes her. But Muir, used to packing emotionally lightly as well, will have to make changes to be able to let people in. Longo (Up to this Pointe), a foster and adoptive parent, wrote the book for her adopted daughter, who wanted a “hopeful, happy” tale; she provides it—and the book, well-written and heartfelt, is a pleasure.” Ages 12–up. Agent: Melissa Sarver White, Folio Literary Management. (Jan.)

Northern California Independent Booksellers/Pacific Northwest Booksellers

* Independent Booksellers are right up there with librarians as my heroes in life. I am so grateful to my publisher, Penguin Random House, for sending me to the Fall trade shows to meet and talk books with booksellers from both my homes - Seattle and the greater PNW, and San Francisco and the greater Bay Area. These events are always made even more fun by my fawning over authors I adore and then I get all nervous and it’s a real hoot for everyone involved. You guys, I am so excited for WHAT I CARRY. It publishes Januray 21, 2020, and I cannot wait - I love this book so much. We (editors, my agent and I) put our hears into it, and we hope you love it as much as we do. Happy reading, and enjoy these highlights of me meeting someseller/author idols and signing a gorgeous pile of books! Thank you so much NCIBA and PNBA! *

KIRKUS Star * WHAT I CARRY

What a beautiful starred review from KIRKUS - I am overwhelmed with gratitude. We (My editors and I, and my editorial agent) wrote WHAT I CARRY in honor of, and with deep respect for, the lives of the five hundred thousand kids currently living in foster care in the United States, and the twenty three thousand who will age out this year. Thank you for sharing your stories with us. Yours is the voice that matters. You matter. Evey single one of you, always. Thank you.

KIRKUS REVEIW * WHAT I CARRY

At 17, Muiriel needs to make it through one more placement, then she will age out of foster care and into state-sanctioned self-sufficiency.

Muir is white, woke, and keenly aware that her experience of not knowing any family from birth isn’t representative of most foster kids. She meticulously follows the wisdom of her hero and namesake, John Muir, and keeps her baggage light. However, it quickly becomes apparent that her new temporary home will challenge her resolute independence. The island forest beckons to her. Francine, her latest foster mother, is insightful and socially aware. Kira, a heavily tattooed artist, is brimming with best friend potential. And then there’s Sean, the beautiful boy who understands that the world can be terrible and wonderful at the same time. As these people show up for Muir, the survival strategy she clings to—don’t get attached—diminishes in validity. This is terrifying; Muir has only ever learned to depend on herself. The trauma she contends with is not perpetrated by a villain; it is the slow boil of a childhood in which inconsistency has been the only constant. The power of relationship—both those experienced and those denied—is expertly explored throughout this novel with nuance and humanity. The central characters are immensely likable, creating a compelling read sure to leave an imprint. Most main characters are white; Kira is Japanese American.

An exceptional addition to the coming-of-age canon. (Starred) (author’s note) (Fiction. 14-18)

* WHAT I CARRY Cover Reveal and Pre-Order Links * June 25th * HECK YES *

At last! I am overjoyed to announce my third novel, WHAT I CARRY (Penguin Random House) will publish January 21, 2020 and it has an absolutely gorgeous cover. (Yes I know authors always say that but People, I’m telling you. It is so beautiful I can barely stand it) The designers at Penguin Random House are geniuses and this piece of art will be revealed, with accompanying pre-order links, next Tuesday, June 25th! More details to follow but for now let me grace you with my incredible PicCollage work that my daughter taught me how to do. I think you’ll agree it is as intricate and sophisticated as anything you’ll see on Antiques Roadshow that someone found in their Aunt Kathy’s garage and they’re trying to get it appraised so they can sell it. I put this up as a placeholer cover on Goodreads. (More on that later. Yikes.) This stunning hand-crafted cover is an ode to John Muir, who figures prominently in WHAT I CARRY. His lifelong fight to save the natural world from destruction and his need for constant movement & quiet solitude to feel freedom guide Muiriel, the protagonist, as she navigates rescuing her own life from potential destruction as she ages out of a life lived in foster care. Like her namesake John Muir, she feels trapped by being in one place, in one house, and needs solitude and nature to breathe. But can she find freedom in the stillness of one place, if involves a life not so alone, steeped in love? WHAT I CARRY publishes January 21st, 2020. I will not sleep till then. Also, Sidebar Nation: Authors, do NOT put placeholder cover images up on Goodreads before your real cover is issued. It took a week and two Goodreads SuperLibrarians to take that shit down in preparation for the actual cover and pre-order links. Nobody has time for those kinds of hijinx, especially the hard-working badass Librarians of Goodreads. I owe them my life! See you June 25th!

Pretty professional, right? I know! Real cover reveals 6/25/19 * WHAT I CARRY * 1/21/2020

Pretty professional, right? I know! Real cover reveals 6/25/19 * WHAT I CARRY * 1/21/2020

“Oh, come on. Be nice.”

That’s what a forty-six-year-old white man said to my sixteen-year-old daughter when she told him recently that no, she didn’t want him to hug her. “No thanks,” she said. “I don’t feel like a hug right now.” Any fully functioning adult human would have said to my daughter’s clear response, “Okay sounds great have a good one!” and gone about his day. To a fully functioning adult human old enough to understand, ‘No’ would mean No. But not this creep. “Oh, come on.” he said. “Be Nice.”

My daughter’s heart sped up. She said “I have to go,” and she turned and walked away fast to find me in another room. This was a small, invisible interaction lost in a crowded party, but it is an enormous piece of the larger clusterfuck of the reality known as Rape Culture; a million little stabs that make up, and are indicative of, the slashing knife wound of the absolute bullshit women all over the world endure every minute of our lives. We are supposed to stay quiet, Be Nice and keep men happy at the expense of our own humanity. And sanity.  

Be Nice

Translation: I want to put my arms around your body and I am a man so I am entitled to do this, you are a girl and you need to Be Nice and let me.

Earlier, I watched this same man reach over the back of a sofa to put his hands on a seventy-year-old woman and grab fistfuls of her skin though her clothes to tickle her. She said, Stop. He kept grabbing her. She said No. He kept on. She said Stop again. He still would not. Finally, she spoke his name sharply, said Stop a fourth time, and jerked her body out of his reach. Only then did he drop his hands and laugh. Like the nonsense with my daughter, this crap happened in a busy group of people and conversation, a small, insular moment that took maybe thirty seconds. The woman got up to walk away and so did I, my insides twisted, but I said nothing so to not disrupt the party by daring to speak up for this adult woman who had chosen to keep this man close in her life despite the fact his veins run bright with the color of a thousand Red Flags. I wish I had said something along the lines of Fuck off, you creepy creep! But it is ingrained in me, decades of being taught to Be Nice

This demeaning, entitled language and behavior will always be justified, forever protected by fellow creepy men and the women who are taught to Be Nice and contribute to our own dehumanization and that of our sisters. Boys Will Be Boys. Why Can’t You Take A Joke. He’s Just Awkward. Every excuse for men to say and do what they want, when they want, to our bodies to our lives, and the apologists will always rush in to make certain the creeps feel comfortable doing it. Our kids who are young teenagers, my daughter, have grown up only ever knowing a black, feminist president and real hope that a woman would lead us next. In just two years since Hillary Clinton won four millon more votes than her white male primary opponent, and three million more votes than her white male general election opponent (but was still robbed of her earned right to lead this nation) my daughter has, along with all of us, been bombarded with the very loud voices of entitled toxic mysoginist old white men.

If it’s not 45’s non-stop sexual assualt and racism, it’s the grating shouts of that elderly white presidential-hopeful senator from Vermont calling teachers “Old bitches” and defending his essays about women getting cancer from not enough orgasms, and how women all have gang rape fantasies, or it’s frat culture personified with the disgusting ramblings of the life-time appointed drunk white male rapist on the Supreme Court, eager to take away women’s human and reproductive rights the second he gets the chance, or it’s creepy guy at a party with his hands all over an older woman and telling my daughter that her not wanting him to hug her is unfair to him, it hurts his precious entitled disgusting ‘feelings’ and she owes him a hug, she needs to let him do what he wants to her body, she needs to Be Nice.

Every. Goddamned. Day. I could lay down and never stop crying. 

Except that’s not how this is going to play out. We are done with this garbage. And by we I mean you and me. Our daughters and sons. Let’s Stop. Being. Nice. (To the creeps, I mean.) I am teaching my daughter to ignore the filthy drunk rapist at the confirmation hearings and instead focus on the brave, glorious strong and true testimony of heroine Dr. Christine Blasey-Ford. I am teaching her to listen to her instincts and take care herself and not the feelings of a medicore forty-six year old man. My daughter will not feel powerless. She will not be nice to spare some creep’s fragile ego. She will know she has the right, the obligation, to tell that man, “You are not welcome in my home. You are not owed my proximity, my time, you are not entitled to me in any way, ever.” And I will cheer her honesty and back up her boundaries with the ferocity only a mother can wield - physically if I must. Verbally with joy. Starting with a well-intended Fuck. You. But only if she needs me. She is a tiny yet towering pillar of her own ferocious bravery. Her words are magic.

Words matter. They can be used to by mediocre men to make disgusting language to try and intimidate and threaten so to keep their perceived entitled power. But words are also, and more so, powerful weapons of education and empathy in this war that we are, in this Year of Our Beyoncé 2019 for fuck’s sake, still fighting. Here are a few of my favorite books and authors whose words are shining a blinding light, Agent Scully style, into the face of Creepy-ass Rape Culture. Give these books to the creep in your life who could use some book learnin’. Give them to your friends, your family, to yourself, share them and celebrate women and the men who truly advocate for us. I love you all so much. Now be nice and let me hug you! (Too soon? Fuck that, let’s take Nice back! As in, We are going to Be Nice and give you these books instead of kicking you in the balls if you ever say shit like that to me or my daughter ever again K thnx Byeee!

tarana-burke-16x9.jpg

Tarana Burke WHERE THE LIGHT ENTERS: THE FOUNDING OF THE MET TOO MOVEMENT (Simon & Shuster 2019 Publishing soon) 

Co-authored by Asha Bandele, the book aims to "help readers understand the often overlooked historical connections of the role sexual violence plays in communities of color, specifically black communities, even today while exploring ways the same communities have been both complicit and resilient," according to a statement released by Burke. “More than anything," the statement continued, "this memoir will provide survivors across the spectrum of sexual abuse a roadmap for healing that helps them understand that the ‘me too’ movement is more about triumph than trauma and that our wounds, though they may never fully heal, can also be the key to our survival.”

Tarana Burke was born in the Bronx, New York, and raised in the area. She grew up in a low-income, working-class family in a housing project and was raped and sexually assaulted both as a child and a teenager. Her mother supported her recovery from these violent acts and encouraged her to be involved in the community. In her biography she states that these experiences inspired her to work to improve the lives of girls who undergo extreme hardships.In 2006, Burke began using the phrase “Me Too” to raise awareness of the pervasiveness of sexual abuse and assault in society, and the phrase developed into a broader movement, following the 2017 use of #MeToo as a hashtag following the Harvey Weinstein sexual abuse allegations. Time magazine named Burke, among a group of other prominent activists dubbed "the silence breakers" as the Person of the Year 2017.

Amber J Keyser NO MORE EXCUSES (Twenty First Century Books 2019)

This important text on rape culture explores gender norms, the intersection of race and gender, and how the transgender population is disproportionately affected by rape. Keyser also offers a timely discussion of how restorative justice can address the needs of all affected in cases of sexual harassment or violence. The design makes this volume highly readable, with highlighted quotes by teens, politicians, activists, and feminists, as well as color and captioned photographs and bold-faced inserts. Vignettes of societal responses to rape and its long-term effects on victims are varied and include interviews with teens and stories about the origins of activist organizations. Also featured is up-to-date information on legislation such as Title IX and age-of-consent laws. The author dismantles myths around rape, such as the prevalence of false reports, which in fact account for less than 10 percent of all reported cases. The back matter includes extensive source notes, a glossary, further reading lists - both fiction and nonfiction - films, and hashtags. While a global perspective is lacking, this excellent volume can be paired with recent YA fiction titles and Rupi Kaur’s poetry that also call into question the deep-rooted gender norms of rape culture. VERDICT Highly recommended for every library that serves teens. – School Library Journal, Starred

NOMORE%2BEXCUSES.jpg

Laurie Halse Anderson SHOUT (Viking 2019)

Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published twenty years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless. In free verse, Anderson shares reflections, rants, and calls to action woven between deeply personal stories from her life that she’s never written about before. Searing and soul-searching, this important memoir is a denouncement of our society’s failures and a love letter to all the people with the courage to say #metoo and #timesup, whether aloud, online, or only in their own hearts. Shout speaks truth to power in a loud, clear voice– and once you hear it, it is impossible to ignore.

“The benefit of this book is undeniable - it’s a primer on writing and on living, and both Speak and Anderson’s effect on teens has never waned. But more than that, it is a captivating, powerful read about clawing your way out of trauma, reclaiming your body, and undoing lifetimes of lessons in order to use your voice as the weapon it is. Fervent and deafening.” – Booklist, Starred

Shout_PRINT.jpg

Roxanne Gay HUNGER (Harper 2017)

It’s hard to imagine this electrifying book being more personal, candid, or confessional. . . In 88 short, lucid chapters, Gay powerfully takes readers through realities that pain her, vex her, guide her, and inform her work. The result is a generous and empathic consideration of what it’s like to be someone else: in itself something of a miracle. – Booklist, Starred

HUGER.jpg

Joy McCullough BLOOD WATER PAINT (Dutton 2018)

“For lovers of writers like Laurie Halse Anderson and An Na, Blood Water Paint is feminist historical fiction written in verse, giving readers a glimpse into the teen’s most intimate thoughts while highlighting a centuries-old, yet startlingly familiar time and place where men took what they wanted from women with practically no consequences.” - Bustle

“An incandescent retelling both timeless and, alas, all too timely.” – Kirkus, Starred

BloodWaterPaint_FINAL-800x1213.jpg

Karen Kilgariff & Georgia Hardstark STAY SEXY & DON’T GET MURDERED: THE DEFINITIVE GUIDE (Forge Books May 28, 2019)

A Dual Memoir by the hosts of the Podcast MY FAVORITE MURDER, this is an also an instructional manual about how we can learn to truly listen to our instincts and take care of ourselves, instead of the delicate feelings of would-be creeps and murderers who want us to be nice to them – cut to, you wake up duct taped to a water tank in his basement. Georgia and Karen are also sick to death of putting themselves in danger for the sake of Being Nice, and their motto to this end is beautiful and more to the point: Fuck Politeness. Don’t worry about hurting some dude’s feelings by keeping yourself safe any way you need to. You can always apologize later and if he’s a man living in America in this century and has even a modicum of common sense he will understand and be cool. As our girls say, “Pepper spray first. Apologize later.” SSDGM. 

SSDGMPic.jpg

Complex Girls in YA! May 11th! Secret Garden Books! Seattle! Exclamation Points!

Friday, May 11th, 7pm at beautiful Secret Garden Books, Seattle! Join me and authors Heather Ezell, Rachel Lynn Solomon & Joy McCullough for a deep dive into what goes into creating complex girl characters - the ones we love to read, the ones we want to be - sometimes. These women are among my very favorite writers, and they are also straight-up spectacular people. I cannot wait for this event. Join us! 

Complex.jpg

2018 Orcas Island Lit Fest

The first-ever Orcas Island Lit Festival was a celebration of books, readers, writers, librarians, teachers, bookshops, and our literary Pacific Northwest home. What an honor to be part of this inaugural event, destined to be a beloved annual tradition for gorgeous Orcas Island, whose kind families welcomed their visitors with open arms, and lots of coffee and pastries. Thank you to the festival organizers and the board of directors for three days of book love, and thank you to beautiful Darvill's Bookstore and the lovely Orcas Island Public Library. Holy moly, librarians and booksellers and readers are the best! 

IMG_5023.jpg
Window.jpg
BigFace.jpg
OrcasSigning.jpg
Orcas3ofUs.jpg
Table.jpg
SixFeet.jpg
Pointe.jpg
WindowSide.jpg

2017 Washington State Book Awards!

The gorgeous Seattle Public Library's Main Branch hosted the awards again this year (In October 2017, forgive me, I'm so late!) and once more it was a sparkly Seattle evening full of literary beauty, some of very best books of the year. I was honored to be nominated again for my second novel, UP TO THIS POINTE. But the best part of the night was cheering for my friend Dan Gemeinhart, whose SOME KIND OF COURAGE won for Middle Grade, and then my dear friend and writing partner M.J. Beaufrand's USELES BAY won the Young Adult honor! We all cavorted with cookies and drinks and we signed books with fellow authors, librarians, book sellers, readers, and family. I love the Seattle Public Library - especially librarian, author, and friend Linda Johns. The PNW literary community could not be more wonderous, and it is my great joy to be part of the family. 

Some of my writing partners! Mark Hotzen, Amanda Hosch, Me, M.J. Beaufrand 

Some of my writing partners! Mark Hotzen, Amanda Hosch, Me, M.J. Beaufrand 

Thank you, Seattle Public Library and Center for the Book! 

Thank you, Seattle Public Library and Center for the Book! 

These fools let me drag them to all my book nonsense! 

These fools let me drag them to all my book nonsense! 

*UP TO THIS POINTE Nominated for the 2018 Sequoyah Oklahoma Book Award*

I am so grateful to say Up To This Pointe is a finalist for this beautiful award presented annually by The Oklahoma Library Association. The Sequoyah Book Award is given in honor of the Native American leader Sequoyah, for his unique achievement in creating the Cherokee syllabary. Sequoyah chose eighty-five symbols to represent all spoken sounds of the Cherokee language. In so doing, he created a way to preserve his people's language and culture. 

The Sequoyah program, sponsored by the Oklahoma Library Association (OLA), is the third oldest youth-choice literary award in the nation and was developed to encourage young people to read books of literary quality. The award’s name honors the creator of the Cherokee syllabary that allows the tribe to write and read its language.

OLA has sponsored the award since 1959, when the now-classic Old Yeller by Fred Gipson was selected by children. Intermediate and High School award categories were added in 2010. Students from across the state—who read three or more titles on their Sequoyah list of age-appropriate books—are eligible to cast their votes. More than 14,000 young readers participated in the vote last year. 

Thank you so much to Oklahoma Library Association, and to the readers, teachers and librarians who keep the magic of books and imagination alive. And congratulations to all the nominees!

*WASHINGTON STATE BOOK AWARDS 2017*

I am beyond thrilled, and completely humbled, that UP TO THIS POINTE has a place among the nominees for the Washington State Book Awards. Seattle became my home four years ago, and I am grateful every day to be here in this beautiful place where so many passionate librarians, readers, teachers, book sellers and writers keep the Pacific Northwest the most literary, book-loving place I've ever lived. Thank you so much to the Seattle Public Library, the Washington Center for The Book, the Washington State Library, and my fellow readers and writers, teachers and librarians. See you all October 14th, 2017 at the Seattle Public Library for an evening of celebrating books, libraries, and of course, cake! 

Why Writing Is Hard & Why J.K. Rowling Is A Gift To Literature

"The road to Hell is paved with adverbs" says Stephen King, and just about every other truly great writer in the world. I agree. Adverbs are flabby and lazy. And hell yeah, I over-use them in every draft of all my manuscripts. Why, God, why?!? My poor editor and agent spend half their lives sighing and crossing them out. Just find an effective verb and there's no need to qualify! Come on, People! We must simplify! Say what we mean, tell the story and don't try to show off, because that makes for boring crap no reader has patience to still still long enough to wade through. So why do I keep adverb-ing it up? SLATE's Stephen Metcalfe explained his personal wrestling with adverbs on the CULTURE GABFEST so perfectly it made me sit in my car and cry. This is why I do the thing I know is lazy and icky: Writers, all artists I think, tend to have the fun problem of possessing a super healthy ego combined with crippling insecurity. "I made a thing I think people might love! Oh my God who do I think I am trying to write, I'm a ridiculous hack!" So we sit and write these stories all the while thinking how dumb we sound, which makes us try to tart our words up to sound smarter, which means right on cue here come the adverbs sneaking in to storm the beach at IMustNotBoreTheReaderWithMyStupidWordsville USA. Working against our inherent insecurity makes a mess our editors have to clean up. Well. Mine do, anyway. Here is how Metcalfe so perfectly expressed this problem and in a nutshell, why writing is so GD difficult:

“I think the great struggle of writing is you are placing your own stupidity on the page and maybe there are some people for whom writing is easy, but I doubt very many of them are good writers. And this mirror to your glaring stupidity sits in front of you in the form of your own prose. And you’re fighting against it in the other direction, and that often then creates false inflation and self-importance which rides most easily upon semi-colons and adjectives and adverbs. And it’s this attempt to alleviate yourself from your own intellectual ugliness that results in the pomposity of language that characterizes most bad writing by people who are otherwise capable of being good writers. So I understand the virtue of policing yourself in the other direction, placing yourself in this sort of murderous vice between banality, right? Writingthings that no one will want to read because they’reso self-evident, and inflated diction to cover up for the fear of banality. And somewhere in between you have to also try to make it sound like a normal human being conversing intelligently. And that’s why writing is fucking hard." 

Yeah. It's fucking hard. It's so fun, and I'm compelled to write these stories down and nothing worth trying to do well is easy, and that's why. I feel good right now - I feel like it's true, that identifying an enemy is the first step to abolishing it. It's a good thing to remember - there are a million perfectly wonderful active, simple verbs just waiting to be used and not modified, qualified or anything-fied. 

On another note, can I just say how, specifically speaking as a playwright, I feel that J.K. Rowling is a beautiful gift to the world? This week in bookshops all over the world, kids sat right down on the floor and starting reading a play script. A play script! For most of them, this would be the first time they'd done this, and I have a wonderful prediction: She's helping begin a new generation of playwrights. How many kids had no idea this was story-telling from of such beauty, all dialogue, all character-driven, humanity-driven storytelling? They have seen it, they're experiencing it, now they will become it. Theater, look the hell out. You're about to be fortune-full in approximately ten years and I cannot wait. J.K. Rowling, I could kiss you. I love you more than I can ever properly express. (People, you know she legit reads this blog day and night. Hey Jo! What's up, Girl?) 

That's all for now. enjoy your summer, love each other well, and remember to tell adverbs to shut the hell up. Those jerks are not invited to our party anymore. Oh, here's the New York Magazine story Metcalfe was responding to. Jenny out. 

http://www.slate.com/blogs/lexicon_valley/2016/06/02/abolish_the_adverb_you_seriously_must_be_joking.html

UP TO THIS POINTE nominated for the 2017 YALSA BEST FICTION YOUNG ADULT list!

The YOUNG ADULT LIBRARY SERVICES is part of the AMERICAN LIBRARY ASSOCIATION, and is a crucial resource for Librarians across the nation for curating literature for Young Adults. Clearly, these are two invaluable organizations and I'm so grateful for the amazing work they do, promoting and providing education in literacy for us all. Each year one of the the lists they curate is the Best Fiction Young Adult, and I'm thrilled and honored that UP TO tHIS POINTE has been nominated for inclusion in this incredible list of beautiful books. I have no idea who nominated UTTP but to you, mystery reader, Thank You. So much. And to all readers, and the ALA and YALSA - to all librarians and teachers - you are doing the best, most important work of all. Thank you. 

Why I Dedicated UP TO THIS POINTE to my Agent and my Editor. *Spoiler* They Are Rad.

I dedicated UP TO THIS POINTE to my agent and my editor. Because I believe making a book - the truest, best book, telling the best story I can tell, is not something I could ever do alone. These two women, younger and way smarter than I will ever be, made UP TO THIS POINTE possible first, by saying yes to the story. "A ballerina in Antarctica? Why the hell not, let's go!" They helped me find the actual story I meant to tell, among hundreds of thousands of words that nearly derailed the truth of it. I love agents. I love editors. I'm still so new to publishing that the amount of work I witness these two women do for all of their authors is still kind of staggering to me.

I know the following is well worn and repeated a lot and maybe you disagree but one of the best ways I can explain how I feel about publishing in general is from what I like to think of as John Green’s Ode To Publishing wherein he explains why the concept of Author As Island feels completely false:

“Bezos repeatedly peddled the lie that a book is created by one person, and that therefore a book’s author should be the sole entity to profit from the sale of the book. (Aside, of course, from Amazon itself.)

Bezos and Amazon are consistent in their promotion of this lie, because it encourages the idea that the publishing landscape today is bloated and inefficient and that there is a better, cheaper way to do it–a way where all books can cost $1.99 with most of that $1.99 going to the author. Readers and writers both win then, right?

Well, no. Because the truth is, most good books are NOT created solely by one person: Editors and publishers play a tremendously important role not just in the distribution of books, but in the creation of them. Without copyeditors and proofreaders, my books would be riddled with factual and grammatical errors that would pull you out of the story and give you a less immersive reading experience. This is true not only for traditional/legacy publishing but also for self-published books. Authors are not islands. But I do believe that without publishers, the overall quality and diversity of books will suffer.”

To my agent Melissa Sarver White, my editor Chelsea Eberly, and to all the agents and editors who love books more than anything and have dedicated their lives to bringing new books to readers every year, for seeking authors whose books challenge and strive to depict and celebrate diversity of humanity, books that save us and make us laugh and become part of who we are, and make us better, funnier, kinder - less lonely - to you, publishing angels, THANK YOU. I thank you as a writer, for the chance to contribute, and I thank you even more from the bottom of my heart, as a reader. Thank you. Books are the best things in the world. And so are you. Love, Jenny.